When does feminist celebration become patronizing, an implicit silver medal? (Isn’t she good—for a woman?) As rarities and exceptions, women are often defined by their biography. Never mind the talent—how do we feel about her? Feminist rediscovery risks saving women from obscurity only to conscript them into a reductive triumphal narrative. Artemisia Gentileschi is such a striking example of this debate that we could name the dilemma after her: the Artemisia Problem. Is she good—for a woman? Or good enough to deserve a place in the canon, regardless of her sex?