Joe Biden’s Age is Now Unavoidable

"Joe Biden is older than the hovercraft, the barcode, and the Breathalyzer. And he looks it: Biden’s likely Republican opponent, Donald Trump, a mere debutant at 77, is possessed with a bronzed, demonic energy that makes him seem vigorously alive, even when his words make no sense. Joe Biden looks like he is turning into a statue of Joe Biden." (The Atlantic)

Modern Britain Is A Scene From Slow Horses

In recent films, even James Bond has swapped glamour for grit, but Apple’s Slow Horses goes far beyond that. The humor is pitch-black, and the overriding tone is one of cynicism—the perfect match for post-austerity, post-Brexit, post–Boris Johnson Britain. (The Atlantic)

The Other Ozempic Revolution

"At the individual level, Ozempic and its sister drugs might also rewire millions of personal relationships, changing the dynamics of a family that has always had a “thin sister,” or a couple who bonded over a shared love of nachos and beer, or friends who stay in touch by sharing a restaurant meal." (The Atlantic)

London’s Day of Creeping Extremism

"The police had penned Tommy’s Army into a narrow stretch of sidewalk, from which they were roaring and throwing the occasional bottle. Today is Armistice Day, which commemorates the end of World War I. Less than half an hour before Britain was due to observe two minutes of silence for its combat dead, I watched as the right-wing group charged the police line and broke through it, then seemed unsure what to do next." (The Atlantic)

The Progressives Who Flunked the Hamas Test

In the fevered world of social media, progressive activists have often sought to discredit hateful statements and unjust policies by describing them as “violence,” even “genocide.” This tendency seems grotesque if the same activists are not prepared to criticize Hamas, a group whose founding charter is explicitly genocidal. (The Atlantic)

The Journalist and the Fallen Billionaire

Going Infinite is therefore a portrait of grandiose ambition, youthful arrogance, and the distorting power of money. This book contains possible polycules, earnest discussions of saving the Earth, and a supporting cast of grifters, vultures, and Gisele. (The Atlantic)